STEPS + ODD Gallery Present: Raven Shares the Sun

KRYSTLE SILVERFOX  |  RAVEN SHARES THE SUN October 2024 – September 2025 Front Street & Princess Street Tr’ondëk Hwëch’in territory, Dawson City, Yukon OPENING RECEPTION: Tentatively Scheduled for January 15th, 2025 ARTIST TALK: TBD Raven Shares the Sun…

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In the ODD Gallery: SHARP TEETH

Faith Goodman, Tea and Cake, ink, watercolour, paper & steel, 6 x 5 ft, 2023

SHARP TEETH  |  Curated by SANAA HAMAYUNParticipating artists: Emily Riddle, Faith Goodman, Jasmine Piper,  Kiona Callihoo Ligtvoet, Raneece Buddan & Rihab Essayh.  September 12 – October 17, 2024ODD Gallery, Dënäkär Zho |  KIACTr’ondëk Hwëch’in territory, Dawson City,…

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In the ODD Gallery: Hannah Jickling + Reed H. Reed

Big Rock Candy Mountain is an artist-run flavor incubator and taste-making think-tank initiated by Hannah Jickling and Reed H. Reed. Several local guests – alongside the Grade 5 + 6 students from Robert Service School/ Hätrʼunohtän zho – have contributed to the development of this exhibition and related programming.

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In the ODD Gallery: Aileen Bahmanipour

AILEEN BAHMANIPOUR | IT IS MEANT TO BE READ
June 28 – August 19, 2023
The ODD Gallery is pleased to present an interactive drawing and sculptural installation by Iranian-Canadian visual artist Aileen Bahmanipour. IT IS MEANT TO BE READ contemplates issues of regulation and information access and includes a series of handmade papers resulting from the deconstruction and reconstruction of the Constitution of the Islamic Republic of Iran.

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In the ODD Gallery: Julian Forrest

JULIAN FORREST – In Isolation
February 24 – April 1, 2023
Opening Reception: Friday, February 24th, 6 – 8pm
A studio is like a bubble or a cave in that, if you want, you can stay hidden away from the world for days and weeks, even months on end.  I have spent a lot of time holed up in my studio over the last couple of years – sitting in there, painting and drawing and imagining life outside its walls.  I started painting bunkers, lunar landers, suburban bungalows, and other “refuges” that I had read about in books or watched in movies as a child in the ‘70s and ‘80s.

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